{"id":6991,"date":"2024-03-28T16:46:04","date_gmt":"2024-03-28T16:46:04","guid":{"rendered":"https:\/\/www.revue-kanien.com\/?page_id=6991"},"modified":"2024-04-02T21:28:06","modified_gmt":"2024-04-02T21:28:06","slug":"volume-7-2019-numero-2","status":"publish","type":"page","link":"https:\/\/www.revue-kanien.com\/en\/volume-7-2019-numero-2\/","title":{"rendered":"Vol. 7 (2019) - Issue 2"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"6991\" class=\"elementor elementor-6991\">\n\t\t\t\t<div class=\"elementor-element elementor-element-229cb410 e-con-full e-flex e-con e-parent\" data-id=\"229cb410\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-54e9f485 e-con-full e-flex e-con e-child\" data-id=\"54e9f485\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1430dc00 elementor-widget elementor-widget-image\" data-id=\"1430dc00\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"548\" height=\"831\" src=\"https:\/\/www.revue-kanien.com\/wp-content\/uploads\/2024\/03\/COUVERTURE-2019-2.jpg\" class=\"attachment-large size-large wp-image-6610\" alt=\"\" srcset=\"https:\/\/www.revue-kanien.com\/wp-content\/uploads\/2024\/03\/COUVERTURE-2019-2.jpg 548w, https:\/\/www.revue-kanien.com\/wp-content\/uploads\/2024\/03\/COUVERTURE-2019-2-198x300.jpg 198w, https:\/\/www.revue-kanien.com\/wp-content\/uploads\/2024\/03\/COUVERTURE-2019-2-8x12.jpg 8w, https:\/\/www.revue-kanien.com\/wp-content\/uploads\/2024\/03\/COUVERTURE-2019-2-396x600.jpg 396w\" sizes=\"(max-width: 548px) 100vw, 548px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-29a516ee e-con-full e-flex e-con e-child\" data-id=\"29a516ee\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-78f69d8b elementor-tabs-view-horizontal elementor-widget elementor-widget-tabs\" data-id=\"78f69d8b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"tabs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-tabs\">\n\t\t\t<div class=\"elementor-tabs-wrapper\" role=\"tablist\" >\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2021\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-2021\" aria-expanded=\"false\">CONTENTS<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2022\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2022\" aria-expanded=\"false\">RECENSIONS<\/div>\n\t\t\t\t\t\t\t\t\t<div id=\"elementor-tab-title-2023\" class=\"elementor-tab-title elementor-tab-desktop-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2023\" aria-expanded=\"false\">EDITORIAL<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t<div class=\"elementor-tabs-content-wrapper\" role=\"tablist\" aria-orientation=\"vertical\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"true\" data-tab=\"1\" role=\"tab\" tabindex=\"0\" aria-controls=\"elementor-tab-content-2021\" aria-expanded=\"false\">CONTENTS<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2021\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2021\" tabindex=\"0\" hidden=\"false\"><p><b>Etudes<\/b><\/p><p><b>Andr\u00e9 WENIN<\/b>, Le r\u00e9cit de la b\u00e9n\u00e9diction et ses enjeux dans le livre de la Gen\u00e8se . 4<\/p><p><b>Saturnin Cloud BITEMO<\/b>, sj, La v\u00e9rit\u00e9 historique surKimpa Vita&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 36<\/p><p><b>Cyrille Ayayi KPONYO-HILLAH<\/b>, Les traces d\u2019interculturalit\u00e9 dans l\u2019art visuel d\u2019Engelbert Mveng&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 61<\/p><p><b>Fran\u00e7ois-Xavier AKONO<\/b>, sj, Relecture des variations th\u00e9ologiques de Meinrad Hebga&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 82<\/p><p>\u00a0<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"2\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2022\" aria-expanded=\"false\">RECENSIONS<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2022\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"2\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2022\" tabindex=\"0\" hidden=\"hidden\"><p><b>Recensions<\/b><\/p><p><b>Michel ISTAS<\/b>, sj, Patterns of Morality in the Bible: Handbook of Fundamental Moral Theology, Nairobi, Paulines Publications Africa, 2019, 240 pages&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 114<\/p><p><b>Marie-Jo THIEL<\/b>, l\u2019Eglise catholique face aux abus sexuels sur mineurs, Montrouge, Bayard Editions, 2019, 718 pages&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 116<\/p><p><b>Ghislain TSHIKENDWA MATADI<\/b>, Le D\u00e9part, Saint-Maur-des-Foss\u00e9s, Jets d\u2019encre, 2018, 155 pages&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. 118<\/p><\/div>\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-tab-title elementor-tab-mobile-title\" aria-selected=\"false\" data-tab=\"3\" role=\"tab\" tabindex=\"-1\" aria-controls=\"elementor-tab-content-2023\" aria-expanded=\"false\">EDITORIAL<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-2023\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"3\" role=\"tabpanel\" aria-labelledby=\"elementor-tab-title-2023\" tabindex=\"0\" hidden=\"hidden\"><p style=\"text-align: justify;\">H\u00e9t\u00e9roclite ! Tel est le mot que l\u2019on serait tent\u00e9 d\u2019utiliser pour qualifier le deuxi\u00e8me num\u00e9ro de Kanien pour l\u2019ann\u00e9e 2019 tant les articles propos\u00e9s diff\u00e8rent par leurs th\u00e8mes, leurs m\u00e9thodes et leurs champs d\u2019investigation. En effet, les diff\u00e9rents auteurs nous proposent de passer par la Bible, la philosophie, l\u2019art et la th\u00e9ologie syst\u00e9matique. Pourtant \u00e0 y voir de pr\u00e8s, un trait commun ressort des diff\u00e9rents articles : le caract\u00e8re complexe et multiforme de chaque sujet trait\u00e9.<br \/>Andr\u00e9 W\u00e9nin dans son article sur la b\u00e9n\u00e9diction dans le livre de la Gen\u00e8se nous offre les diff\u00e9rentes inflexions de la b\u00e9n\u00e9diction dans ce livre de la Bible depuis les r\u00e9cits de la cr\u00e9ation jusqu\u2019\u00e0 la b\u00e9n\u00e9diction finale du patriarche Jacob. A travers l\u2019approche narrative, W\u00e9nin nous fait d\u00e9couvrir que le parcours de la b\u00e9n\u00e9diction dans le livre de la Gen\u00e8se est tumultueux et que la b\u00e9n\u00e9diction est constamment menac\u00e9e par la convoitise.<br \/>Saturnin Bitemo, sj, nous donne de red\u00e9couvrir Kimpa Vita, une des grandes figures de l\u2019histoire congolaise et africaine. Il nous brosse un portrait lucide de l\u2019h\u00e9ro\u00efne kongolaise du d\u00e9but 18e si\u00e8cle qui tente de faire la part des choses entre le pan\u00e9gyrique et la suspicion entourant la personne de Kimpa Vita. Il en ressort un tableau complexe et fascinant de l\u2019h\u00e9ro\u00efne.<br \/>Cyrille Ayayi Kponyo-Hillah, o.p., tente de faire ressortir les diverses influences pr\u00e9sentes dans l\u2019art visuel d\u2019Engelbert Mveng. On y d\u00e9couvre non seulement l\u2019itin\u00e9raire artistique de Mveng, mais aussi comment cet itin\u00e9raire a affect\u00e9 ses oeuvres concr\u00e8tes de mani\u00e8re \u00e0 en faire un art typiquement africain. Finalement, il montre comment l\u2019art de Mveng exemplifie une mani\u00e8re d\u2019int\u00e9grer harmonieusement la diversit\u00e9 et de parler simultan\u00e9ment \u00e0 plusieurs aires culturelles.<br \/>Fran\u00e7ois-Xavier Akono, sj, revisite lui aussi un pionnier de la th\u00e9ologie contemporaine africaine dans la personne de Meinrad Hebga. Il propose une lecture du discours eccl\u00e9siologique de Hebga mais surtout sa conception du minist\u00e8re de gu\u00e9rison. La th\u00e9ologie de Hebga doit se comprendre dans le contexte postcolonial comme une tentative de s\u2019affranchir du joug colonial afin d\u2019advenir \u00e0 des rapports plus coh\u00e9rents avec l\u2019Evangile. Il s\u2019agit, au fond, de voir comment inculturer l\u2019Evangile afin de le rendre pertinent pour le contexte africain. Loin d\u2019\u00eatre originale, cette synth\u00e8se nous offre l\u2019occasion de jauger la pertinence des intuitions th\u00e9ologiques de Hebga.<br \/>Ce parcours tr\u00e8s riche qui nous m\u00e8ne par plusieurs chemins nous ram\u00e8ne \u00e0 la r\u00e9alit\u00e9 de la religion chr\u00e9tienne et du contexte africain. La question de la b\u00e9n\u00e9diction inclusive des individus et des groupes reste une r\u00e9alit\u00e9 qui hante les soci\u00e9t\u00e9s africaines postcoloniales. Kimpa Vita offre une mani\u00e8re de r\u00e9pondre \u00e0 un contexte de crise, qu\u2019on soit d\u2019accord avec sa m\u00e9thode ou pas. Mveng, nous offre une m\u00e9thode afin d\u2019harmoniser le pluriel. Hebga nous donne de repenser les conditions th\u00e9oriques de l\u2019engagement de l\u2019Eglise en g\u00e9n\u00e9ral et des chr\u00e9tien-ne-s en particulier dans un contexte postcolonial. Au fond, ces diff\u00e9rents articles nous donnent l\u2019occasion de repenser la r\u00e9appropriation fructueuse de nos exp\u00e9riences et h\u00e9ritages.<br \/><br \/><\/p><\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-16924c7b e-flex e-con-boxed e-con e-parent\" data-id=\"16924c7b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1d5561b0 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1d5561b0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-777e507c elementor-widget elementor-widget-july-heading\" data-id=\"777e507c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-modern-heading\">\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-primary-wrap\">\r\n\t\t\t\t<h2 class=\"heading-primary elementor-heading-title\">ABSTRACTS<\/h2>\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-68b6bb0a elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"68b6bb0a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-736cc973 e-flex e-con-boxed e-con e-parent\" data-id=\"736cc973\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-314f3420 e-con-full e-flex e-con e-child\" data-id=\"314f3420\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-793d30af elementor-widget elementor-widget-july-heading\" data-id=\"793d30af\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-modern-heading\">\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-primary-wrap\">\r\n\t\t\t\t<h2 class=\"heading-primary elementor-heading-title\">Le r\u00e9cit de la b\u00e9n\u00e9diction\net ses enjeux dans le livre de la Gen\u00e8se<\/h2>\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-description-wrap\">\r\n\t\t\t\t<div class=\"heading-description\">\r\n\t\t\t\t\t<p style=\"text-align: justify\">Blessing is one of the major themes that runs through the book of Genesis. From the blessing of living beings after their creation (Gen 1:22,28) to the blessing Jacob grants to his sons before his death (Gen 49:28), it is closely linked to the project of life of the God of Genesis. This theme develops in the form of a narrative. While among human beings the blessing is threatened by covetousness, the fruit of which is the curse, God calls Abraham to become the instrument through which blessing will reach all the clans of the earth. From one generation to the next, divine blessing will be handed over, not without being serious threatened when it becomes itself the object of greed \u2014it is the famous episode in which Jacob steals the blessing destined by Isaac to Esau his eldest son. It is the \u201cjourney\u201d of the blessing between Gen 1 and 49 as well as the meaning that emerges from it that this article seeks to highlight.<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-28ee34d elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"28ee34d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6304e580 elementor-widget elementor-widget-july-heading\" data-id=\"6304e580\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-modern-heading\">\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-primary-wrap\">\r\n\t\t\t\t<h2 class=\"heading-primary elementor-heading-title\">Les traces d\u2019interculturalit\u00e9 dans l\u2019art visuel d\u2019Engelbert Mveng<\/h2>\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-description-wrap\">\r\n\t\t\t\t<div class=\"heading-description\">\r\n\t\t\t\t\t<p style=\"text-align: justify\">The marks of interculturality in the visual art of Engelbert Mveng can be read through the colors, symbols and motives used in his paintings: they are part of the codified language of African art. This language essentially reveals the struggle of life and death, leading up to the triumph of life. By identifying the meaning of those same colors, symbols and motives in different cultures of Central and West Africa, we find consistent interpretations. These marks, signs of interculturality, show the common vision of the fight for life, engaged by art in African cultural diversity. Such a study reinforces the contribution of art to intercultural dialogue.<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-24207ee9 e-con-full e-flex e-con e-child\" data-id=\"24207ee9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-488e3f94 elementor-widget elementor-widget-july-heading\" data-id=\"488e3f94\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-modern-heading\">\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-primary-wrap\">\r\n\t\t\t\t<h2 class=\"heading-primary elementor-heading-title\">La v\u00e9rit\u00e9 historique sur Kimpa Vita<\/h2>\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-description-wrap\">\r\n\t\t\t\t<div class=\"heading-description\">\r\n\t\t\t\t\t<p style=\"text-align: justify\">This article seeks to shed light on the figure of Kimpa Vita, considered as precursor in the liberation struggle of black Africa in the eighteenth-century Kongo Kingdom. The context is a very trying time for this kingdom. The encounter with the West has been experienced as a dramatic break, threatening the foundation of society. The introduction of a new religion and the slave trade were its causes. But at the heart of the disintegration of the Kingdom, voices like that of Kimpa were rising, calling to resist the European cultural and religious hegemony by proposing a way back to Kongo culture. Influenced by stereotypes about the black race dating back to antiquity for some, or driven by the desire for self-affirmation, under the influence of the \u201cn\u00e9gritude\u201d movement, for others, the historiography about the young Kongolese is divided between these two antagonistic trends. Only a rereading of this page of history, without passion and with the addition of new elements, makes it possible to come to a better understanding of the figure of Kimpa Vita and the significance of her action for the Christian faith in Black Africa. In truth, this young Kongolese invited the people of Kongo to resist and to fight for the recovery of the national political system disturbed by the foreign presence, which, by means of many intrigues, reduced the country to tatters.<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-28553e03 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"28553e03\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-24e3b493 elementor-widget elementor-widget-july-heading\" data-id=\"24e3b493\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-modern-heading\">\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-primary-wrap\">\r\n\t\t\t\t<h2 class=\"heading-primary elementor-heading-title\">Relecture des variations th\u00e9ologiques\nde Meinrad Hebga, SJ<\/h2>\t\t\t<\/div>\r\n\t\t\r\n\t\t\t\r\n\t\t\t\t\t\t<div class=\"heading-description-wrap\">\r\n\t\t\t\t<div class=\"heading-description\">\r\n\t\t\t\t\t<p style=\"text-align: justify\">The present essay suggests a re-reading of Meinrad Hebga\u2019s intuitions in ecclesiology, or more precisely about what it means to be church in Africa in the postcolonial context. Meinrad Hebga\u2019s theology is born in the African context. As a pioneer, he paves the way for a theological expression, which takes into account the challenges of a faith not lived by proxy but rather committed to reflect on culture, Church and suffering. Hebga focuses on the one side on the relationships between African local churches and their founding churches and on the other side on the issue of rootedness of the Gospel on the African soil. In his theologizing style, Hebga shows that pastoral ministry, namely the diaconia of the sick, nourishes and shapes the systematization of belief of which Jesus Christ in the cornerstone. Thus, it shows clearly how being Christian and African can be combined.<\/p>\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-60a9e68a e-flex e-con-boxed e-con e-parent\" data-id=\"60a9e68a\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-7f6edf5e e-con-full e-flex e-con e-child\" data-id=\"7f6edf5e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-433dbc26 elementor-align-right elementor-mobile-align-center elementor-widget elementor-widget-july-button\" data-id=\"433dbc26\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-ele-button-wrapper\">\r\n\t\t\t<a href=\"https:\/\/www.revue-kanien.com\/en\/product\/volume-7-2019-numero-2\/\" class=\"july-ele-button-link july-ele-button style-flat july-ele-button-nm icon-left\" role=\"button\">\r\n\t\t\t\t\t\t\t<div class=\"button-content-wrapper\">\r\n\t\t\t\t\t\t\t\t\t<span class=\"button-icon\">\r\n\t\t\t\t\t\t<i class=\"fal fa-shopping-cart\"><\/i>\t\t\t\t\t<\/span>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span class=\"button-text\">Buy the issue<\/span>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1380ee1c e-con-full e-flex e-con e-child\" data-id=\"1380ee1c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7ca0cbf elementor-align-left elementor-mobile-align-center elementor-widget elementor-widget-july-button\" data-id=\"7ca0cbf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"july-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"july-ele-button-wrapper\">\r\n\t\t\t<a href=\"https:\/\/www.revue-kanien.com\/en\/product-category\/volume-7-2019\/articles_numero-2_volume-7_2019\/\" class=\"july-ele-button-link july-ele-button style-flat july-ele-button-nm icon-left\" role=\"button\">\r\n\t\t\t\t\t\t\t<div class=\"button-content-wrapper\">\r\n\t\t\t\t\t\t\t\t\t<span class=\"button-icon\">\r\n\t\t\t\t\t\t<i class=\"fal fa-shopping-cart\"><\/i>\t\t\t\t\t<\/span>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t\t\t<span class=\"button-text\">Buy an article<\/span>\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t<\/div>\r\n\t\r\n\t\t\t\t\t\t\t<\/a>\r\n\t\t<\/div>\r\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>SOMMAIRE RECENSIONS EDITORIAL SOMMAIRE Etudes Andr\u00e9 WENIN, Le r\u00e9cit de la b\u00e9n\u00e9diction et ses enjeux dans le livre de la Gen\u00e8se . 4 Saturnin Cloud BITEMO, sj, La v\u00e9rit\u00e9 historique surKimpa Vita&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; 36 Cyrille Ayayi KPONYO-HILLAH, Les traces d\u2019interculturalit\u00e9 dans l\u2019art visuel d\u2019Engelbert Mveng&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. 61 Fran\u00e7ois-Xavier AKONO, sj, Relecture des variations th\u00e9ologiques de Meinrad Hebga&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-6991","page","type-page","status-publish","hentry","post-no-thumbnail"],"_links":{"self":[{"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/pages\/6991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/comments?post=6991"}],"version-history":[{"count":32,"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/pages\/6991\/revisions"}],"predecessor-version":[{"id":7565,"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/pages\/6991\/revisions\/7565"}],"wp:attachment":[{"href":"https:\/\/www.revue-kanien.com\/en\/wp-json\/wp\/v2\/media?parent=6991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}